Photo Assistant

Studio 225 and Photographer James Weber is offering a 1 on 1 wet plate collodion workshop.

by JamesNYC6. June 2013 02:47

Ever wanted to do Wet Plate, but....

- Don't know how
- Don't have the cameras/gear
- Have never shot large format before
- Don't have the chemicals and know-how
- Don't have a space to shoot it in 

Studio 225 is offering a deal from Collodiongallerie.com and Photographer James Weber to give you this opportunity.

It includes one day(8 hours) of shooting and personal instruction at Studio 225 Chelsea. All you need to do is bring your model and yourself. The glass, metal, chemistry, darkroom, lighting, and camera will be provided as well as personal instruction from James how to do each step. In an 8 hour day, you can expect anywhere from 7-10 plates ranging in size from 5"x7" to 8"x10".

The cost for the day is $1,500. 

Just bring yourself and your model/crew. Come in clothes that you don't mind getting a few stains on.  Safety goggles and gloves are provided as well.

You can ask questions at info@studio225chelsea.com or call James @ 917-882-3724. 

Payments accepted are cash, credit card, and paypal.


For more information on James Weber's Wet Plate Collodion photography, visit the sites below:

James Weber's Wet Plate Collodion Site
http://jamesweberstudio.com/blog/?cat=29 - 

Behind the scenes Wet Plate Shoot with James at Studio 225
http://jamesweberstudio.com/blog/?p=1883

A video of James shooting his Black Silk Nudes Project:
https://vimeo.com/49126796

A video of a glass plate being fixed.
https://vimeo.com/65695486

The Studio is at: 
225 West 28th St #2
New York, NY 10001
Between 7th and 8th ave.
 

Tags: , , , , , , , , , , , , , ,

General

Studio 225 Chelsea in NYC. Rental Special.

by JamesNYC5. June 2013 03:00

Studio 225 Chelsea in NYC. Rental Special through the end of July.

Special 1:
- Buy 2 days with all equipment included for $450/day. Total $900
- Savings $200 off the regular day rate of $550/day.
- Includes 9 hours in the day rate.

Special 2:
- Buy 3 days with all equipment included for $400/day. Total $1200. Savings
- Savings $450 off the regular day rate of $550/day.
- Includes 9 hours in the day rate.

Once you have purchased the days in either special, you will receive studio rental credits that you can use anytime this year. I'll add you to the studio's gmail calendar so that you can check the studio's availability at any time. Just let me know when you'd like to use the space and I'll confirm the day or days for you. 

Payment can be made in cash, check(credits available upon cashing), credit card, or paypal. 

Feel free to contact me with any questions you may have or to purchase one of the two specials above. Anyone who would like access to the studio's calendar can send that request as well and I'll add your email to the calendar's access page.

Here is the Equipment included in your rental days
 
- Profoto 7a 2400 Kit, which Includes 3 packs + 4 heads, 1 head extension. Additional heads are $25/head/day.
 
- 24" iMac Digital Workstation with Capture One Pro 7.x and Phocus
- Redwing Boom
- 8 C-Stands with arms
- 5 regular Stands
- 4 black/white "V-flats"
- 2 silver "V-flats"
- 2 4'x8' white plexi
- 4 flags/scrims
- 10 Sandbags
- 1 Reel EFX Fan
- 12' White Roll Paper - 1 sweep per rental.  additional sweeps are $20/sweep.
- 12' Gray Roll Paper - 1 sweep per rental.  additional sweeps are $20/sweep.
- 10'x10' Gray Muslin Backdrop - looks like one of Annie L.'s backdrops.
- 10'x20' Gray Muslin Backdrop(has texture)
 
PROFOTO Modifiers included with Equipment Package:
- 1 53" Elinchrom Octobank with Profoto Mount
- 1 7' Elinchrom Octobank with Profoto Mount
- 2 Medium Softboxes
- 1 Medium Strip Softbox 
- 2 Small Softboxes
- 1 6' x 4' Chimera Softbox
- 1 33.5" Mola Euro with diffuser
- 1 Profoto 22" beauty dish with diffuser and grid
- 2 P-50(Magnum) reflectors with Grids
- 2 60" umbrellas
- 2 45" umbrellas
- 1 30" umbrellas
- 20 A-Clamps
- 6 Superclamps
 
Camera's available to rent additionally on site:
Canon 5D Mark III with f/2.8 24-70mm lens, 100mm f/4, and 50mm f/1.2:  $125/day
Hasselblad H3DII 31mp with 80mm, 120mm Macro, and 35mm Lenses: $350/day

For more information, contact James Weber at:
917-882-3724
info@studio225chelsea.com

Studio: www.studio225chelsea.com

Studio 225 on Facebook: http://tinyurl.com/cy2nvdd

Tags: , , , , , , , , , , , , , , ,

General

How to Fix a Broken Manfrotto Magic Arm

by JamesNYC20. May 2013 02:00

An instructional video about how to fix a broken Manfrotto Magic Arm by opening it up and repositioning the bearings inside.

Tags: , , , , , , , ,

General

ADOBE - Our works do not belong to you.

by JamesNYC19. May 2013 10:43

A great response to the Adobe CS Cloud subscription model.

It doesn't belong to them from Digital Skye Media Development on Vimeo.

Tags: , , , , , , , ,

General

Adobe Bets the house on Creative Cloud and switchs to a Subscription-Only Model

by JamesNYC4. May 2013 01:18

photo assistant

Adobe announced the end of their: Adobe Creative Suite at its Adobe MAX conference this morning, stating that it's moving to a subscription model and dropping the existing Creative Suite software products. Begining in June, new versions of Adobe's CS software will be available only online, and only as part of a Creative Cloud subscription. 

Let us bow our heads as we say goodbye to: After Effects CS6 and say hello to After Effects CC.
 
You will still be able to buy CS6 products for the time being, but you won't get the latest and greatest, such as all of the new features that were showcased at NAB last month. If you want to stay current with Adobe's line-up, you'll be spending at least $49.99/month for an individual subscription to Creative Cloud with 20 GB of cloud storage (existing users of CS3 or later will get a discounted rate of $29.99/month for the first year) or $69.99/month per seat for a "team" version that comes with 100 GB of storage plus "centralized deployment and administration capabilities" (existing users with a volume license get a rate of $39.99/month per seat between now and August 31). The $49.99 month pricing requires a one-year commitment; users who cancel pay a penalty of 50 percent of the remainder of their contract. Note that the fee gets you access to everything, not just the video apps. All subscribers have access to Photoshop, Dreamweaver, InDesign, and more. (Subscriptions will be available for individual pieces of software, but they're not likely to be cost-effective for pro users.)
 
The move is almost guaranteed to be controversial, especially among users who try to save money on software by skipping the annual upgrade process, or for those who worry about the security implications of putting high-value assets to the cloud. But for users who already stay up to date with Adobe's product releases, the effective annual fee of $840 per seat on a team will look pretty good, especially if they're looking to take advantage of some of the new Creative Cloud features announced today. Those features include access to what Adobe said is $25,000 worth of professional fonts on the desktop through TypeKit, which should appeal to anyone who's built a logo or a title sequence in Premiere Pro or After Effects. 
 
Many Creative Cloud features are design-oriented. Adobe announced Kuler for iPhone, an app that lets you grab interesting color palettes from your environment by pointing your iPhone's camera at something in the real world that catches your eye. Coming soon are a pair of "cloud-enabled hardware" products in development: Mighty, a Bluetooth-connected "smart stylus" for drawing, and Napoleon, a kind of "digital ruler" that, when touched against a tablet screen, helps users draw precisely by displaying shapes for them to trace. Creative Cloud also includes a free subscription to Behance Prosite, a personal portfolio site builder that cost $99 per year before Adobe purchased the company in 2012 and is now integrated with the CC suite of applications. 
 
The company sought to fend off as many objections as it could, noting that desktop applications will remain usable even without an Internet connection. Users will be expected to connect to the web every 30 days to validate their software licenses, but Adobe says products will work offline for 180 days. Adobe is also customizing separate versions of the subscription for business users who can't use the cloud, such as some governmental and educational institutions. A single Creative Cloud membership also lets you install your software on two different machines with cross-platform privileges, meaning you can load up your PC workstation as well as your MacBook Pro. And older versions of all the apps will remain available, beginning with CS6, just in case you need to fall back to an older version for a particular project.
 
Of course, under the new plan, if you stop paying for the Creative Cloud subscription, you'll no longer have any version at all to fall back on. But the files stored on your own computer are yours to keep, and Adobe is allowing users a 90-day grace period after their membership lapses to download their work, or at least get their online stash down to the 2 GB that comes with a free Creative Cloud membership.
 
For more information, including details on different membership plans and a detailed FAQ, visit: www.adobe.com/products/creativecloud.html

Tags: , , , , , , , ,

General

Sebastião Salgado: The silent drama of photography

by JamesNYC1. May 2013 01:03

Sebastião Salgado: The silent drama of photography

Economics PhD Sebastião Salgado only took up photography in his 30s, but the discipline became an obsession. His years-long projects beautifully capture the human side of a global story that all too often involves death, destruction or decay. Here, he tells a deeply personal story of the craft that nearly killed him, and shows breathtaking images from his latest work, Genesis, which documents the world's forgotten people and places.

Sebastião Salgado captures the dignity of the dispossessed through large-scale, long-term projects.

Tags: , , , , ,

General

KICKSTARTER - SCATTERED by Lindsay Lindenbaum

by JamesNYC30. April 2013 02:42

SCATTERED by Lindsay Lindenbaum

THIS IS A GREAT KICKSTARTER PROJECT,

PLEASE FOLLOW THE LINKS AND MAKE A VERY GENEROUS DONATION TO THE PROJECT.

A story about a man, fixated on documenting his life on camera & his struggle to overcome the demons from his past.

View the Kickstarter page for full details and to make your donation

SYNOPSIS: 

Home movies rarely tell the whole story of someone's life. Instead, they show fragments of a story that the person behind the camera hopes and imagines his life to be. Years later, when one's current reality has faded or has become too difficult to bear, one returns to these memories, to this abridged story, to one version of the past. SCATTERED takes an unflinching look at my late father--a man who was fixated on documenting his life on film and who became estranged from me as a child--and unravels the story that he tried to create with his camera, to reveal the story that actually was.

Tags: , , , , ,

General

EOS 5D Mark III Firmware Version 1.2.1 now available

by JamesNYC30. April 2013 01:20

Canon EOS 5D Mark III Firmware Version 1.2.1

Changes
Firmware Version 1.2.1 incorporates the following functional improvements and fixes.
1. Uncompressed HDMI output is now enabled.

2. Enables the center AF point to auto-focus when the camera is used with Canon EF lens/extender combinations whose combined maximum aperture is f/8.

3. Improves the speed of the camera’s acquisition of focus when using a Canon Speedlite’s AF-assist beam.

4. Fixes a phenomenon in which the LCD monitor may freeze and display Err 70 or Err 80 when a still photo is taken during Live View or in movie shooting mode.

5. Fixes a phenomenon that may occur when the continuous shooting priority setting is enabled for multiple exposures, such that, after the sixth image is taken, there is a slight pause before the remainder of the sequence is completed.

6. Fixes a phenomenon in which the viewfinder display shows incorrect information during AEB shooting.

7. Communication with the WFT-E7 Wireless File Transmitter has been improved.

8. When images have been successfully transferred with the WFT-E7 Wireless File Transmitter through the FTP protocol, an “O” will be displayed. When images have not been successfully transferred with the WFT-E7 Wireless File Transmitter through the FTP protocol, an “X” will be displayed.

9. Fixes a phenomenon in which the camera may not function properly when an Eye-Fi card is used.

10. Fixes a phenomenon in which the focal length value listed in the Exif information is not displayed correctly for images shot with the EF 24-70mm F4L IS USM lens.

11. Fixes a phenomenon in which the lens firmware cannot be updated properly.

12. Corrects errors in the Arabic language menu.

13. Fixes a phenomenon in which the camera changes the AF micro-adjustment value to -8.

14. Fixes a phenomenon in which the on-screen guidance cannot be fully displayed when setting the maximum limit value for the “Setting the ISO Speed Range for Auto ISO” option.

* Items No.1 through 12 have been incorporated into firmware version 1.2.0.
* Items No.1 through 14 have been incorporated into firmware version 1.2.1.

Firmware Version 1.2.1 is for cameras with firmware version 1.2.0 or earlier. If the camera’s firmware is already version 1.2.1, it is not necessary to update the firmware.

Download page: EOS 5D Mark III Firmware Version 1.2.1 [Mac OS X].

Tags: , , , , , ,

General

Hasselblad 503CW Discontinued

by JamesNYC30. April 2013 01:13

In a move that again demonstrates that Hasselblad has lost it's connection to it's long time users and to the photo graphic community in general Hassleblad has made another bad decision, to discontinue their V system.  Now all we have left is a camera that has a Hasselblad label and that is manufactured by FUJINON - James Sullivan

Hasselblad has announced the discontinuance of the Hasselblad 503CW, the last V system camera in its portfolio. The decision, which comes into immediate effect, brings to an end over a half century of evolution of the company’s original camera line. Hasselblad has confirmed that the last 503CW has rolled off the production line but the company will continue to provide V System accessories while stocks last.  V System support will also still be available through "current channels."

Hasselblad Press Release End of the line for the Hasselblad V System

Hasselblad is to cease production of its 503CW model - the last V System camera in the company’s portfolio.

The decision, which comes into immediate effect, brings to an end over a half century of evolution of the company’s original camera line.

Dr. Larry Hansen, Hasselblad Chairman and CEO said: “Everything has its place in time. The veteran 503CW combined with an extensive V System range of interchangeable lenses and accessories, was for seventeen years, the camera of choice for discerning professionals and aspirational amateur photographers
But there has been a substantial decline in demand for this camera over the past five years or so and the time has now come for us to reluctantly consign the V System to history.  In so doing we would like to thank all fans and customers for both their loyalty and their enthusiasm for our legacy Hasselblad V System.” He added: “Now of course the focus on medium format capture is on our H System – the world’s most advanced camera. The latest generation cameras represent medium format capture engineering at its most exemplary and are well-placed to secure and underpin the company’s unrivalled reputation for providing highest image quality and craftsmanship.  Additionally we are focussing on new products for advanced enthusiasts.” Hasselblad has confirmed that the last 503CW has rolled off the production line but the company will continue to provide V System accessories while stocks last.  V System support will also still be available through current channels.

Tags: , , , , ,

General

Eizo Adds 4K x 2K Input to ColorEdge CG276 LCD Monitor

by JamesNYC3. April 2013 05:20

Eizo Adds 4K x 2K Input to ColorEdge CG276 LCD Monitor

High-Res Image Will Be Down-scaled for Native 2560x1440 Display

One more option for monitoring 4K workflows has arrived with the announcement that Eizo has begun supporting 4K x 2K input on newly manufactured Color Edge CG276 LCD monitors.

Starting this month, new CG276 units will accept 4K x 2K input via their Display-Port input at up to 30 fps. The image will be down-scaled for display in the monitor's native resolution of 2560×1440. The CG276 also supports 10-bit color via Display-Port, and has HDMI and DVI-D inputs.

The monitor will be on display in Eizo's NAB booth (SL 14813).

Photo Assistant | Photo Assistants

Tags: , , , , , ,

General

NOW AVAILABLE

Stuff people say

"Papa, ... Music is your love, but Photography is your Religion." - Joya D. Hall-Sullivan | Age 10

 

"All photographs are accurate. None of them is the truth." - Richard Avedon - 1984


 "I have not failed. I've just found 10,000 ways that won't work." - Thomas Alva Edison

 

"Any photographer who says he’s not a voyeur is either stupid or a liar." - Helmut Newton


"You don’t have to sort of enhance reality. There is nothing stranger than truth." - Annie Leibovitz


"When you find yourself beginning to feel a bond between yourself and the people you photograph, when you laugh and cry with their laughter and tears, you will know you are on the right track." - Weegee


" The camera is much more than a recording apparatus. It is a medium via which messages reach us from another world." - Orson Welles


"Some people's photography is an art. Not mine. Art is a dirty word in photography. All this fine art crap is killing it already." - Helmut Newton


"Our virtues and our failings are inseparable, like force and matter. When they separate, man is no more. " - Nikola Tesla


"I think all art is about control - the encounter between control and the uncontrollable." - Richard Avedon


"The first 10 000 shots are the worst." - Helmut Newton


“If I have any ‘message’ worth giving to a beginner it is that there are no short cuts in photography.” – Edward Weston

 

"Men often become what they believe themselves to be. If I believe I cannot do something, it makes me incapable of doing it. But when I believe I can, then I acquire the ability to do it even if I didn't have it in the beginning." - Mahatma Gandhi


"Ultimately success or failure in photographing people depends on the photographer's ability to understand his fellow man." - Edward Weston


"If you want reality take the bus." - David LaChapelle


"You don't take a photograph, you make it." - Ansel Adams


"When I have sex with someone I forget who I am. For a minute I even forget I’m human. It’s the same thing when I’m behind a camera. I forget I exist." - Robert Mapplethorpe


" Great photography is always on the edge of failure." - Garry Winogrand


"I don’t think photography has anything remotely to do with the brain. It has to do with eye appeal." - Horst P. Horst


"Be yourself. I much prefer seeing something, even it is clumsy, that doesn't look like somebody else's work." - William Klein


"Avedon claims to have been the best photographer in the '60s - bullshit - Bob Richardson was - despite or because of being insane and strung out on drugs, I managed to do photographs that are considered iconic - being known as the 'photographer's photographer' means I lead and they follow - I'm broke and they are rich." - Bob Richardson


"If you're absent during my struggle, don't expect to be present during my success" - Will Smith


"Either take the lead or follow behind, just stay the fuck out of my way." - James Sullivan

              Copyright 1998-2013 1ProPhoto.Com All rights reserved.  
>