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JAN GRARUP RECEIVES THE LEICA OSKAR BARNACK AWARD 2011 FOR HIS PORTFOLIO ‘HAITI AFTERMATH’

by JamesNYC15. June 2011 07:18

Solms, Germany (June 15, 2011) - First prize in this year’s highly prestigious photographic competition, the Leica Oskar Barnack Award 2011, goes to the Danish photographer Jan Grarup. For his award-winning portfolio, entitled ‘Haiti Aftermath’, the winner will be presented with a Leica M9 camera and lenses worth around €9,500 (approximately U.S. $13,760), as well as a cash prize of €5,000 (approximately U.S. $7,240). The second winner in this year’s competition is Jing Huang from China. His portfolio, ‘Pure of Sight’, wins the Leica Oskar Barnack Newcomer Award 2011 and a Leica M9 with lenses. The prizes will be presented on July 5, 2011 as part of the photographic festival in Arles.

The central theme of his project, ‘Haiti Aftermath’, focuses on the massive earthquake in Haiti on January 12, 2010 and its consequences. Jan Grarup’s portfolio shows the extent of the catastrophe and the fate of the survivors in pictures of enormous intensity. The destruction is appalling. A precise count and identification of the victims is difficult due to the enormous devastation. Even today the number of victims can only be estimated, and the government assumes a death toll of around 300,000 people, with more than three million affected by the quake. The earthquake is therefore considered to be the most severe quake in the history of North and South America. Jan Grarup travelled to Haiti on an assignment for various magazines to document the catastrophic consequences of the natural disaster. He sees his mission as a photographer as much more than the simple depiction of the current situation. The aim of his black-and-white shots is to generate emotion. The earthquake took everything the Haitians had: their belongings, the roof over their heads, their friends and relatives. Their lives lie in ruins. Fear and despair is written on their faces. They have lost all they ever owned and often even risk the only thing left to them in the search for food and water: their lives. The police and private security forces attempt to protect the remaining stocks of provisions and do not hesitate to defend them with weapons, as Jan Grarup’s pictures show. 

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Cross-sections of Leica lenses

by JamesNYC13. May 2011 06:47

A very good friend turned me on to this post.    Read the origanalblog post and credits here

If colleges offered camera equipment anatomy classes, this Leica lens cutaway might be one of the things you’d be examining in the lab. It’s a Leica Tri-Elmar-M 28-35-50mm sliced cleanly down the middle, revealing all the glass and pieces inside that go into making the lens.

These were actually made by Leica students as a graduation project and boxed as a “cutaway model” of the lens. Here’s the same thing done with a Leica 50mm f/1.4 Summilux M ASPH lens:

 

 

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Stuff people say

"Papa, ... Music is your love, but Photography is your Religion." - Joya D. Hall-Sullivan | Age 10

 

"All photographs are accurate. None of them is the truth." - Richard Avedon - 1984


 "I have not failed. I've just found 10,000 ways that won't work." - Thomas Alva Edison

 

"Any photographer who says he’s not a voyeur is either stupid or a liar." - Helmut Newton


"You don’t have to sort of enhance reality. There is nothing stranger than truth." - Annie Leibovitz


"When you find yourself beginning to feel a bond between yourself and the people you photograph, when you laugh and cry with their laughter and tears, you will know you are on the right track." - Weegee


" The camera is much more than a recording apparatus. It is a medium via which messages reach us from another world." - Orson Welles


"Some people's photography is an art. Not mine. Art is a dirty word in photography. All this fine art crap is killing it already." - Helmut Newton


"Our virtues and our failings are inseparable, like force and matter. When they separate, man is no more. " - Nikola Tesla


"I think all art is about control - the encounter between control and the uncontrollable." - Richard Avedon


"The first 10 000 shots are the worst." - Helmut Newton


“If I have any ‘message’ worth giving to a beginner it is that there are no short cuts in photography.” – Edward Weston

 

"Men often become what they believe themselves to be. If I believe I cannot do something, it makes me incapable of doing it. But when I believe I can, then I acquire the ability to do it even if I didn't have it in the beginning." - Mahatma Gandhi


"Ultimately success or failure in photographing people depends on the photographer's ability to understand his fellow man." - Edward Weston


"If you want reality take the bus." - David LaChapelle


"You don't take a photograph, you make it." - Ansel Adams


"When I have sex with someone I forget who I am. For a minute I even forget I’m human. It’s the same thing when I’m behind a camera. I forget I exist." - Robert Mapplethorpe


" Great photography is always on the edge of failure." - Garry Winogrand


"I don’t think photography has anything remotely to do with the brain. It has to do with eye appeal." - Horst P. Horst


"Be yourself. I much prefer seeing something, even it is clumsy, that doesn't look like somebody else's work." - William Klein


"Avedon claims to have been the best photographer in the '60s - bullshit - Bob Richardson was - despite or because of being insane and strung out on drugs, I managed to do photographs that are considered iconic - being known as the 'photographer's photographer' means I lead and they follow - I'm broke and they are rich." - Bob Richardson


"If you're absent during my struggle, don't expect to be present during my success" - Will Smith


"Either take the lead or follow behind, just stay the fuck out of my way." - James Sullivan

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